Editorials & Concepts

Editorials & Concepts


Tarpaulin Blue

Evoking emotions of feeling blue, an experimental short film directed by Daleya Morohn and brought to life by Freja Jenkin delves into the realm of movement, examining dance amidst a spatial interplay of lines and planes saturated with the hues of blue.


Echo

Led by photographer Patrick Owen at his studio in Hackney, London, Circus Nocturne is an artistic collaboration blending circus aesthetics with subtle lighting and shadow play.


Circus Nocturne

Led by photographer Patrick Owen at his studio in Hackney, London, Circus Nocturne is an artistic collaboration blending circus aesthetics with subtle lighting and shadow play.


To Hold My Love

A short film by Elettra Giunta, ‘To Hold My Love’ delves into diverse worlds exploring themes of women’s vulnerabilities, identity, self-expression, and body image.


Les Sapeurs

Featuring HomeBros and HomeFam UK ‘Les Sapeurs’ explores the escapism and expressionism of ‘Les Sapeurs’ in the context of East London, inspired by the Congolese ‘La Sape’ culture


Trois Visages

A short film concept influenced by the Japanese ‘3 faces proverb’, we go on a journey of self-discovery with choreographer Yasmin Harcourt and lead dancer Kyrah Decoteau


WOMAN

A short film by Eleanor Grace Hann exploring the beautiful yet exhausting experience of being a woman.


5 Elements

A short film concept produced by Austrian Heels Dance Organisation VIENNA HEELS

They show that High Heels aren’t a way to sexualize their owners, but to embrace them beautifully and in their truthful selves. 


Dancers Day Out

MOVES first editorial and Digital Cover ‘Dancers Day Out’ encapsulates the three premises that MOVES is built upon.


The Exhibition

‘A night of fine Art, Performance and Inspiration, Curated and Choreographed by Caetlyn Watson and Produced by Kerrie Milne and Take Flight World.

This article features coverage by Videographer Douglas Reddan and Photographer Jose Galang

Editorials and Concepts focuses on the art through exploring the implications of having dance informed knowledge at all levels of production.